Practice Piece

 
 

I always start a marbling session with a couple of practice pieces. I'm testing the bath to see what it's doing and how the paints behave on it. But I'm also stretching my marbling muscles ~ like a singer who does vocal warm ups. Marbling is more physically demanding than most people realize and there are certain techniques that require superb hand-eye coordination so I want my body and my mind to be at the same place when I start working on the real stuff.

The thing is...usually these practice pieces end up being something really good. Something that actually makes me pause and go, "Oh, wow! That turned out great!" even though I'm not trying to do something good. I don't even think that hard about what colors I use, just grabbing the four of five closest to me and running with it.

Today's practice piece is no exception. I love it. I love the colors and how the design turned out. I guess I'm more conscious about my practice pieces than I realize...and that perhaps eight years of marbling experience coupled with not having any expectations from these first few pieces really frees up the creative mojo. And that's when magic slips in.

Available in the store.

Scenes from the Studio

 
 

It was a weekend full of private lessons. I love teaching in my studio where the energy and enthusiasm of students fill every nook and cranny and I can feel the vibes long after they are gone.

 
Studio preparations.

Studio preparations.

 
 
Never gets old ~ the joy of the first marbled piece!

Never gets old ~ the joy of the first marbled piece!

 
 
Working the tanks.

Working the tanks.

 
 
Marbled pages from old photobooks where the pages are actual frames/thick mats. We took apart the binding and marbled each frame. They turned out beautiful.

Marbled pages from old photobooks where the pages are actual frames/thick mats. We took apart the binding and marbled each frame. They turned out beautiful.

 
 
Marbled pages from a very, very old ledger/journal.

Marbled pages from a very, very old ledger/journal.

 
Marbled leather strap.

Marbled leather strap.

Marbling on Photographs

 
Photograph by the talented Ann Howley.

Photograph by the talented Ann Howley.

 

Marbling on photographs. Yep. Love it. It's ridiculously fun.

I especially love the one above because of the vibrant, warm colors and how the traditional pattern Bouquet mirrors the shapes of the hot air balloons.

And then there is this one:

 
Another beautiful photograph by the talented Ann Howley.

Another beautiful photograph by the talented Ann Howley.

 

I wanted to replicate the feel of the arctic cold, sparse landscape, and floating ice in this image so I chose to do an Italian Vein in cool colors over the top of it. I think I pulled it off since I feel a chill every time I look at it!

You can learn how to create traditional patterns such as Bouquet (and 15 other traditional patterns!) in my Clouds on Water: Introduction to Paper Marbling eCourse. And if you're up for a marbling adventure, check out my Clouds on Water: Advanced Marbling Techniques eCourse where, among many things, you'll learn about additives (used to create the Italian Vein pattern) and how to marble on photographs and other non-traditional materials.

For a short time, I am offering an incredible special on these two courses ~ buy the Introduction to Paper Marbling eCourse and get the Advanced Marbling Techniques eCourse for free!! That's a savings of $129!! Head on over to www.CloudsOnWater.com to register and use the discount code EBRULOVE. There are still four weeks of guided sessions by me on our very active private Facebook page and you'll have access to all the videos, website content, and downloadable handouts through the end of July!

Hope to see you in the classroom!

Continuing to Explore

 
Detail. WIP

Detail. WIP

 

I'm still exploring this particular direction in the tank. It's not always working out ~ and it takes forever to create these images so when I screw up, I feel like I just wasted so much time. It's been a lesson in patience and acceptance ~ and remembering that time is never wasted when you stretch and grow and learn something new (even if it's what NOT to do) along the way.

Just Now, Come

 
 

In the latest issue of Mabel Magazine, my favorite written piece is that by textile artist Amy Meissner where she talks about how living in Alaska influences her creative work. It’s a moving, honest, intimate piece that, even though I’ve never been to Alaska, I connected to instantly. Amy says that Alaskans have a word for newcomers: Cheechako which is derived from the Chinook word “chee,” meaning “just now,” and “chako,” meaning “come.”

 

Just now, come.

 

I emailed Amy to let her know how much I enjoyed reading her piece and that Cheekchako, “just now, come” perfectly describes the marbling process. You need to be very present when marbling because it is at the mercy of Mother Nature and slave to randomness. It happens and it happens now. But it is also a very welcoming and forgiving art form. You cannot really fail at it. Show up and it will show up with you.

 

Just now, come.

 

This is my new mantra for when I marble. And I will be sharing it with participants in my upcoming Clouds on Water: A Journey into the World of Marbling eCourse.

Early bird registration specials run through December 31:

  • $179 for Introduction to Paper Marbling
  • $79 for Advanced Marbling Techniques
  • $110 for Marbling on Fabric
  • $259 for ALL THREE eCourses!